The Transformation of Mara's Arrows and The Temptation by Mara's Daughters, a section from the Sutra of Cause and Effect, Past and Present (Kako genzai e inga-kyō), late 13th century
Gyokuen Bonpō, Orchids, Bamboo, and Rock, late 14th–early 15th century
Messengers Arrive at the Palace of King Suddhodana, a Section of the Sutra of Cause and Effect, Past and Present (Kako genzai e inga-kyō), late 13th century
Calligrapher: Hon'ami Kōetsu, Painter: Tawaraya Sōtatsu, Poem with design of wisteria, early 17th century
Artist unidentified, Japanese, Section from the Flower Garland Sutra (Kegon-kyō), known as the Nigatsudō yake-kyō, 744–752
Calligrapher: Hon'ami Kōetsu, Painter: Tawaraya Sōtatsu, Poem from Collection of Japanese Poems of a Thousand Years (Senzai wakashū) with design of butterflies, early 17th century
Five Poems from the Lady Ise Volume (Ise-shū) of the "Anthology of Thirty-Six Poets" ("Sanjūrokunin-shū") known as Ishiyama-gire, about 1112
Daxiu Zhengnian, Retirement Hut, 13th century
The Transformation of Mara's Arrows and The Temptation by Mara's Daughters, a section from the Sutra of Cause and Effect, Past and Present (Kako genzai e inga-kyō), late 13th century
Gyokuen Bonpō, Orchids, Bamboo, and Rock, late 14th–early 15th century
Messengers Arrive at the Palace of King Suddhodana, a Section of the Sutra of Cause and Effect, Past and Present (Kako genzai e inga-kyō), late 13th century
Calligrapher: Hon'ami Kōetsu, Painter: Tawaraya Sōtatsu, Poem with design of wisteria, early 17th century
Artist unidentified, Japanese, Section from the Flower Garland Sutra (Kegon-kyō), known as the Nigatsudō yake-kyō, 744–752
Calligrapher: Hon'ami Kōetsu, Painter: Tawaraya Sōtatsu, Poem from Collection of Japanese Poems of a Thousand Years (Senzai wakashū) with design of butterflies, early 17th century
Five Poems from the Lady Ise Volume (Ise-shū) of the "Anthology of Thirty-Six Poets" ("Sanjūrokunin-shū") known as Ishiyama-gire, about 1112
Daxiu Zhengnian, Retirement Hut, 13th century