When you think about Renaissance Italy, do the names Sofonisba Anguissola, Isabella d’Este, or Lavinia Fontana come to mind? These women, and many others whose names we may never know—artists, writers, patrons, entrepreneurs, healers, nuns, teachers, and more—influenced their time much more than history has generally recognized.
Through more than 100 works from the 14th to the early 17th century, this exhibition explores the lives and experiences of women in Renaissance Italy and offers new perspectives on female creativity, power, and agency. Learn about Sofonisba Anguissola, who served at the court of King Phillip II of Spain and painted more self-portraits than any other artist in Renaissance Italy. One of her self-portraits shows her holding a large shield-like object inscribed with her signature, declaring she painted it. See Renaissance interpretations of historical figures, like a bronze bust of Cleopatra showing the Egyptian queen as pensive and noble rather than seductive and dangerous—a work likely commissioned by Isabella d’Este, one of Renaissance Italy’s most influential patrons of the arts. Get to know the story of Gracia Nasi, a Jewish woman from a powerful family, through the portrait medal cast to celebrate her marriage.
Women in Renaissance Italy faced challenges and barriers to equity, education, and influence. But they often found ways to work around or overcome the institutional structures of their time. The mix of sculpture, paintings, ceramics, textiles, fashion accessories, illustrated books, and prints in this exhibition reveals the material lives of Renaissance women and tells empowering and inspiring stories that have long gone untold.
- Lois B. and Michael K. Torf Gallery (Gallery 184)
Sofonisba Anguissola, Self-Portrait, about 1556
Possibly oil on parchment. Charles Potter Kling Fund and Beth Munroe Fund—Bequest of Emma F. Munroe.
Giovanni della Robbia, Judith, about 1520
Glazed terracotta. Gift of Mrs. Albert J. Beveridge in memory of Delia Spencer Field.
Artemisia Gentileschi, The Sleeping Christ Child, 1630–32
Oil on copper. Charles Potter Kling Fund and Beth Munroe Fund—Bequest of Emma F. Munroe.
Pastorino di Giovan Michele de’ Pastorini, Dona Gracia Nasi the Younger, 1558
Bronze. Theodora Wilbour Fund in memory of Zoë Wilbour.
Artist unknown, pair of women’s platform shoes (chopines), Italian (Venetian), 1590–1610
Tooled leather over wood, with metallic braid. The Elizabeth Day McCormick Collection.
Painted by Nicola da Urbino, plate depicting the story of Perseus and Andromeda from the Isabella d’Este service, about 1524
Tin-glazed earthenware (maiolica). Otis Norcross Fund.
Lavinia Fontana, Virgin Adoring the Sleeping Christ Child, about 1605–10
Oil on panel. Charles Potter Kling Fund and Beth Munroe Fund—Bequest of Emma F. Munroe.
Pier Jacopo Alari Bonacolsi, Bust of Cleopatra, about 1519–22
Bronze with traces of gilding. William Francis Warden Fund.
Artist unknown, length of velvet (detail), Italian, 15th century
Silk velvet brocade with silk and gold-colored metallic thread, silk and gold-colored metallic woven looped fringe, and silk woven fringe. Mary L. Smith Fund.
Lorenzo Costa, Portrait of a Woman with a Pearl Necklace, probably 1485-95
Oil on panel. Bequest of Mrs. Thomas O. Richardson.
Barna da Siena, The Mystic Marriage of Saint Catherine, about 1340
Tempera on panel. Sarah Wyman Whitman Fund.
Isabella Catanea Parasole, Gemma pretiosa della virtuose donne, 1625
Illustrated book with 38 woodcuts. William A. Sargent Fund.
Attributed to the Painter of the Apollo Basin, dish depicting Medea and Aeson, about 1530
Tin-glazed earthenware (maiolica). Boston Athenaeum.