Removal of yellowed varnish and retouching for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 2:30–3:00 pm.

Removal of yellowed varnish and retouching for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 11:30 am–12:00 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, by associate objects conservator Emilie Tréhu. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, by associate objects conservator Emilie Tréhu.