Studio Art Classes

Printmaking Intensive

Wednesday, April 3–Wednesday, June 12, 2024
10:30 am–3:30 pm
Education Dept Art Studio (Classroom 305E)
Ticket Required

Occurring every Wednesday except 4/17

Add to Calendar 2024-04-03 10:30:00 2024-04-03 15:30:00 Printmaking Intensive 04/03/2024 10:30 AM Museum of Fine Arts, Boston, 465 Huntington Ave, Boston, MA 02115, USA Museum of Fine Arts, Boston America/New_York public

Explore the unique multiple through printmaking techniques, such as stencil monotype, dry point intaglio and pronto plate lithography. Develop technical mastery, participate in classroom discussions, and create original works with technical guidance.

Class will break for a short lunch.

Students are responsible for providing their own supplies. View the supply list here.

Occurring every Wednesday except 4/17

Course Number
All Levels
Number of Sessions

Ticket Information

Registration for February, April, and Summer vacation week classes ends at Noon the Friday before the class starts.

Before registering for classes, please review Program Information and Policies.

To order tickets by phone, call 1-800-440-6975 ($6 processing fee applies); no in-person ticket sales.

Ticketing Policies


Due to the building’s historic architecture, the third-floor classrooms, 305A, 305B, 305D and 305E, are not wheelchair-accessible and must be accessed by stairs. Please let us know in advance if the student has limited mobility; we can make accommodations, including relocating the class to an accessible space.

To inform the Studio Art Class program of any access needs, please e-mail or call our office at 617-369-3295.

About the Instructor

Andrew Eckhardt is an artist and collaborative printmaker based in Cape Cod, MA. Originally from Australia, he has been based in New England for over a decade. He received his MFA from Rhode Island School of Design and has completed the collaborative printer training program at Tamarind Institute. His work uses printmaking, drawing, and photography to explore platonic intimacy, quietness, and queer temporality. He has exhibited nationally and taught at several institutions in southern New England sharing his passion for printmaking, collaboration, and community.