Studio Art Classes


Sold Out
Thursday, January 4–Thursday, March 7, 2024
6:00 pm–9:00 pm
Classroom 305D
Ticket Required

Occurring every Thursday except 2/15 and 2/22

Add to Calendar 2024-01-04 18:00:00 2024-01-04 21:00:00 Drawing 01/04/2024 6:00 PM Museum of Fine Arts, Boston, 465 Huntington Ave, Boston, MA 02115, USA Museum of Fine Arts, Boston America/New_York public

Focus on building your skills at different levels, as you explore elements of drawing such as—line, gesture, shading, texture, composition, proportion and perspective. Learn a variety of techniques and improve observational skills while working creatively with a diverse array of inspirational artworks.

Students are responsible for providing their own supplies. View the supply list here.

Occurring every Thursday except 2/15 and 2/22

Course Number
All Levels
Number of Sessions

Ticket Information

Registration for February, April, and Summer vacation week classes ends at Noon the Friday before the class starts.

Before registering for classes, please review Program Information and Policies.

To order tickets by phone, call 1-800-440-6975 ($6 processing fee applies); no in-person ticket sales.

Ticketing Policies


Due to the building’s historic architecture, the third-floor classrooms, 305A, 305B, 305D and 305E, are not wheelchair-accessible and must be accessed by stairs. Please let us know in advance if the student has limited mobility; we can make accommodations, including relocating the class to an accessible space.

To inform the Studio Art Class program of any access needs, please e-mail or call our office at 617-369-3295.

About the Instructor

Jordan Carr works in oil paint, ink, and pencil to develop both representational and abstract imagery. Formal study at Gordon College (Art, Painting Concentration) established her current residence in the Boston area. Immersion in the liberal arts with a classical emphasis on rendering the human figure was instrumental in shaping her theory and practice, which value the integrity of line, the process of layering, and honest expressions of feeling. Her current work favors botanical forms as an approach to embodiment and emotional landscape.