Jean Michel Basquiat, Six Crimee, 1982. Acrylic and oil paintstick on masonite. The Museum of Contemporary Art, Los Angeles The Scott D. F. Spiegel Collection. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.
Jean Michel Basquiat, Six Crimee, 1982. Acrylic and oil paintstick on masonite. The Museum of Contemporary Art, Los Angeles The Scott D. F. Spiegel Collection. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.
Alternative Grooves: Hip-Hop and Improvisation in New York
4:00 pm–5:30 pm
In the 1990s, mainstream hip-hop appealed to a broad demographic favoring both “hardcore” recordings and radio-friendly pop rap. Underground scenes also emerged, articulating an urban street consciousness through performances with creative instrumental grooves and rhyme. Focus on the underground scene in New York City and how DJs, musicians, visual artists, rappers, dancers, and fans created spaces for celebrating inclusivity across age, race, and class lines through an improvisational hip-hop inspired by jazz.
Timothy R. Mangin, assistant professor, Ethnomusicology, Boston College
This session is led via Zoom and includes opportunities for questions and dialogue.
Follow the link to preregister for the program.*
*Live-streaming programs utilize Zoom. To access you will be required to download Zoom.
Closed captioning