9/15/2008
MUSEUM OF FINE ARTS, BOSTON, ANNOUNCES SUCCESSFUL CONCLUSION OF BUILDING THE NEW MFA CAMPAIGN AT ANNUAL MEETING MFA Exceeds Goal with $504 Million Raised and Prepares for "Topping Off" of Building Project Download file
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BOSTON, MA (September 15, 2008)—At today’s annual meeting of the Museum of Fine Arts, Boston (MFA), it was announced that the Museum has successfully concluded its historic $500 million Building the New MFA Campaign—the largest at a New England arts institution—exceeding its goal by raising $504 million. Contributions to the campaign, which began July 1, 2001, and ended June 30, 2008, were made by 25,674 people. In the final year of the campaign (from July 1, 2007–June 30, 2008), $93 million was raised. It was also announced at the meeting—attended by members of the MFA Board of Trustees, Board of Overseers, and School of the Museum of Fine Arts Board of Governors—that the much anticipated “topping off” (placement of the final piece of steel) of the MFA’s Building Project will occur by the end of September. A 2,500-pound beam will be raised 63 feet high and positioned atop the new American Wing and adjoining Ruth and Carl J. Shapiro Family Courtyard. The MFA’s Building Project is expected to be completed by late 2010.
“This is an exciting time at the Museum. Not only did we reach our goal, but we surpassed it—both in funds raised and gifts of art donated to the MFA,” said Malcolm Rogers, Ann and Graham Gund Director. “The generosity of thousands of friends and supporters has made our vision a reality as we prepare to place the final piece of steel atop what will become a beautiful addition to our historic Museum.”
Select Recent Contributions to the Building the New MFA Campaign
• The MFA received a $5.5 million challenge grant from the Calderwood Charitable Foundation that helped to raise an additional $30.9 million from the Museum’s Board of Trustees in the final months of the campaign. The grant, which was awarded in April 2008, will name the Museum’s Middle Kingdom Gallery in honor of Stanford and Norma Jean Calderwood and will support the upcoming exhibition, Egypt 2000 BC: Kingdom of Plenty.
• In June 2008, the Museum received a $3 million grant from the Sherman Fairchild Foundation to name the Head of Objects Conservation in honor of Robert and Carol Henderson and to create a departmental endowment fund for use by this position. Mr. Henderson, an MFA Trustee, was chair of the campaign when it was launched in 2001.
• The renowned Film Program, which presents hundreds of films and videos each year at the Museum, has been endowed and named by the Carl and Ruth Shapiro Foundation in conjunction with the Building the New MFA Campaign. (Ruth Shapiro is an honorary MFA Overseer.) The Film Program was founded and long championed by Trustee Katharine Stone White 50 years ago, and will now be known as the Ruth and Carl J. Shapiro Film Program at the MFA. Support of the program is a continuation of the Shapiro legacy at the Museum, which includes: the Ruth and Carl J. Shapiro Family Courtyard, the Shapiro Celebrity Lecture Series, the Ruth and Carl J. Shapiro Colonnade and Upper Rotunda, and the Ruth and Carl J. Shapiro Gallery. The Foundation also endowed the Ruth and Carl Shapiro Curator of Prints and Drawings.
• The MFA’s Giza Archives Project (gizapyramids.org) was awarded $1,214,000 from the Andrew W. Mellon Foundation in June 2008. This consisted of a $714,000 grant for operating expenses (2008–2011), plus an additional $500,000 for Museum endowment awarded as part of a 3:1 challenge grant to the Museum, which now seeks to raise its share of the match: $1.5 million, and hopes to engage new corporate sponsors and patrons connected to archaeology, cultural preservation, and technology. This brings the total amount of support awarded to more than $2.8 million since the creation of the Giza Project seven years ago.
Gifts of Art
The MFA’s Gifts of Art Campaign, which ran as a parallel initiative to Building the New MFA, has received since its inception in 2001 nearly 10,000 gifts of art valued well over $140 million and more than $25 million for the purchase of art, a combined total of more than $165 million. It will continue to be an important initiative as plans for the new American Wing and Linde Family Wing (former West Wing) become a reality. In FY ’08 (July 1, 2007–June 30, 2008), the Gifts of Art Campaign received more than 1,500 works of art valued at more than $23 million, as well as more than $6 million in contributions for the purchase of art.
Highlights of gifts received this year include two important collections:
• The John Axelrod Collection consists of nearly 400 American Modern decorative arts from the middle half of the 20th century and is one of the premiere collections of its type in the nation. (John Axelrod is an honorary Overseer.) The collection has been carefully refined during the past three decades and now consists of furniture, silver, ceramics, glass, and metalwork by the top designers, craftsmen, and manufacturers of the period. It will transform the Museum’s holdings of mid-20th -century decorative arts into one of the strongest in the nation. Selections from The John Axelrod Collection will be prominently featured in the 1920s and 1930s gallery and the 1940s and 1950s gallery of the new American Wing.
• A collection of 359 works was donated by Jean S. and Frederic A. Sharf (Jean Sharf is an honorary Overseer and Frederic Sharf is an honorary Trustee). Included are 19th -century photographs, lithographs, drawings, photographs, and printed books from Japan highlighting the modernization of Japan and its engagement with the West.
Gifts of importance to the American collection include: the Goddess of Liberty weathervane (1876), which serves as a focal point in the MFA’s new Sharf Visitor Center, also from Jean S. and Frederic A. Sharf; an enamel on Limoges porcelain bowl by Jackson Pollock, titled Flight of Man (1939), from Mel Barkan and Overseer Hope Barkan; two paintings by Frederic Edwin Church, Erechtheum (1869–70) and Study for "The Parthenon” (1869–70), from President of the MFA Board of Trustees Barbara L. Alfond and Theodore B. Alfond; 21 Pre-Columbian objects, featuring stonework from Mexico and Costa Rica, painted Maya ceramics from Guatemala and Honduras, and painted ceramics from early Peru (about 400 BC to 1500 AD), from Shirley Zaret; and a Maya censer stand (AD 700–800) from an anonymous donor.
Contemporary art gifts include: the monumental sculpture by Antonio López García, Day (El día) and Night (La noche) (2008), which adorns the MFA’s State Street Corporation Fenway Entrance, made possible with funds donated by Trustee Ernst von Metzsch and Gail von Metzsch; the sculpture Endlessly Repeating Twentieth Century Modernism (2007) by Josiah McElheny, made possible with funds provided by the Linde Family Foundation (Joyce Linde is a Trustee); a Richard Diebenkorn drawing, Untitled (1987), a gift from Trustee Richard Lubin and Nancy Lubin; a David Smith sculpture titled Voltri XIX (1962), a gift from Trustee Susan Paine; and the sculpture Split Second (2006) by Tony Cragg, made possible with funds provided by members of the 2006–2007 Contemporary Art Visiting Committee.
Other notable gifts include: Twenty-eight piece toilet service in original leather case (about 1725–1730), marked by Johann Erhard II Heuglin and Philipp Jakob I Jäger, purchased with funds donated anonymously and with MFA funds; 18 large-scale Meiji era (about 1907–08) paintings which explore the westernization of Japan, purchased with funds donated anonymously and with MFA funds; the painting A Wooded Landscape with Travellers and a Dog on a Path (1675) by Jan Wijnants, from Overseer Linda H. Kaufman and George M. Kaufman; a Berlin déjeuner porcelain tête-à-tête service (1785), an anonymous gift made in memory of the late MFA curator Tracey Lynn Albainy; eight pieces of Danish Modern furniture, a gift from Michael Rotenberg and Overseer Karen Rotenberg; Raising of the Cross (1638) by Heyndrik Withouck, from Robert Bradford and Barbara Ketcham Wheaton; a late 19th-century male guardian figure (bieri) by Fang peoples, Gabon, a gift from Trustee Susan Paine; an evening dress designed by John Galliano for Christian Dior, as well as a pair of shoes by Galliano, made possible with funds from the Museum’s Fashion Council; and an Egyptian sculpture of a cat from Dynasty 26–Ptolemaic Dynasty, 664–30 BC, with funds provided by an anonymous donor.
Gifts of art also include several pieces of jewelry: Bee brooch (1890–1900), Orchid pendant (about 1905), and Hair ornament with antennae (about 1900 by René Lalique), all from Dr. and Mrs. Joseph Sataloff; Brooch (1908) by John Paul Cooper, from an anonymous donor; a Renaissance-revival ladies pocket watch (about 1890) from Tiffany and Company from Trustee Susan B. Kaplan; and an open-face men’s pocket watch (1887) from Yvonne Markowitz. The Museum’s Building Project will include a gallery dedicated to jewelry, the Rita J. and Stanley H. Kaplan Family Foundation Gallery in honor of the parents of Trustee Susan B. Kaplan.
Digital Images
Images are available upon request. Please call Kelly Gifford at 617.369.3540 or email at kgifford@mfa.org.
The Museum of Fine Arts, Boston (MFA), opened the doors of its red brick and terra-cotta building in Copley Square on July 4, 1876. Over time, the rapid growth of the collection made a new location necessary and the Museum hired architect Guy Lowell to develop a master plan for a grand, classical museum. In 1909, the MFA moved to its present Beaux-Arts-designed granite structure on Huntington Avenue. Throughout the century, the Museum continued to expand with such major additions as its Evans Wing (designed by Lowell) in 1915, and its West Wing (designed by I.M. Pei) in 1981. In 1999, the MFA commissioned the architectural firm, Foster and Partners (London), to develop a master site plan that would reflect the strong north/south axis of Lowell’s original design while addressing the MFA’s growing collection as well as the visitor experience.
The Museum’s Building Project, supported by the Building the New MFA Campaign, will enrich the ways in which visitors encounter the Museum’s great works of art, improve navigation through its galleries, as well as enhance and increase space for the MFA’s encyclopedic collection, educational programs, conservation facilities, and special exhibitions. Funds raised in the $500 million Campaign will support substantial building and renovation enhancements to the Museum, strengthen the endowment for programs and positions in perpetuity, and support critical annual operations. The Building Project is scheduled to be completed in late 2010.
The Museum of Fine Arts, Boston, is recognized for the quality and scope of its encyclopedic collection, which includes an estimated 450,000 objects. The Museum’s collection is made up of: Art of the Americas; Art of Europe; Contemporary Art; Art of Asia, Oceania, and Africa; Art of the Ancient World; Prints, Drawings, and Photographs; Textile and Fashion Arts; and Musical Instruments.
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